Uppsala 76a, no. 32, ff. 28v-29 »Faulces Amours, Dieu vous maudie« 4v (unicum)
Faulces Amours, Dieu vous maudie, J’ay y cuider perdre la vie Fame par la teste follie, |
False Love, God damn you, I have been near loosing my life Woman is foolishness in the head, |
Entered by Hand B. The many fermata endings show much insecurity concerning note values; for example bar 11 is notated as a semibrevis in the superius, a brevis in the tenor, and a longa in the bassus! Probably all fermatas were performed in approximately the same way in accordance with speech rhythm. The tune is placed in the upper voice while the lower parts for long stretches repeat the same chord, bb. 1-2, 5-10, 15-17 (F), 11-14 (C).
The poem is also entered by a different hand on f. 80v (no. 77) in a slightly revised version.